![]() You can assign LFOs to as many as 18 modulation destinations. ![]() You can also change the order of the effects in the chain according to your needs.Īlso present is LFO modulation to make the bass wobble. You can choose from six distortion types, a waveshaper, tape hiss and wobble, bit-crusher, and compressor with side-chain input and mix control. There are also new effects that make for a complete FX section. There are Pitch and Width controls to let you alter the respective parameters, alongside a Mix blend control. It has the sawtooth, triangle and square waveforms along with the ability to layer them into supersaws. The updates and improvements begin with an all-new oscillator. ![]() SubLab XL is still the sub-bass and all-purpose bass synth generator it was – great for layering, coping a distorted 808 kick for further processing, and so on. But Future Audio Workshop ended up treating it as a proof of concept, basically, and built it up into something menacing! There are more than a few additions and improvements that make SubLab an almost entirely self-contained instrument – without over-complicating it. SubLab made the walls shake without much of an effort. That’s very little money for a full-fledged bass-centric instrument like this. Despite all the upgrades, SubLab XL remains affordable at an introductory USD 50, and the upgrade costs USD 20.
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